This ship sails out of the past with a certain conception
of service. The size of the crew on this journey reflects a now outdated
method of running civilization. The old method was to put a human hand
on every wheel, at every task, in every phase of operation-human beings
creating an atmosphere for other human beings. As I write in the Lido Restaurant,
on the Promenade deck aft, three waiters stand idle near me, not far from
the bar where until five minutes ago several more waiters and a bartender
waited. They are at every turn obliging, ingratiating, accommodating, indulgent.
We have a room steward to make over our room twice a day. We have a floor
steward to oversee his actions. We have sweepers and squeegiers and housekeeping
staff innumerable. There are 79 people just on the kitchen staff. When
we sit to eat, a wine steward pours the wine, several waiters attend us.
The staterooms receive their daytime cleaning sometime around 1 p.m.: beds
made, mail delivered, clutter straightened. In the early evening the stewards
strike again, turning down the bed clothes, putting a chocolate on the
pillow, and such notices as might be needed. Usually these notices are
reminders to set clocks and watches back an hour, the ship having crossed
another time zone. Six of our seven days at sea will have 25 hours in them.
There are shoe-shine, manicure and fitness people waiting to serve me,
also a doctor, several shopkeepers, bartenders, waiters, movie projectionists,
actors, comics, video technicians, librarians, chefs, cooks, food servers,
sailors. We also have a golf pro, a dance troupe, at least a score of big
band and lounge musicians, doctors, nurses, casino hosts and dealers, beauticians,
travel agents, photographers, pool technicians, singers, comedians, shopkeepers
including perfume specialists and art dealers, a naval historian or two,
a chaplain, a rabbi, a masseuse and a foot masseur.
We have print technicians, administrators, writers and editors aboard to
oversee the reception of the daily faxed newsletters. We receive, because
we are American, a Comsat version of the New York Times, along with a ship-produced
schedule called The Daily News, listing all the events of the day. Other
nationalities receive faxed versions of their countries’ papers.
And, in what may be the largest gesture to a habit of life rapidly turning
to memory, we also have a group of men who dance with the ladies in the
Ritz-Carlton. These are men-middle-aged, trim, well-groomed-who have taken
a small stipend in exchange for the work of sustaining a now outdated elegance.
White Sharks, they are called by the crew. They dress in dapper white coats
and hold themselves poised and available. They hover at the fringes of
all dancing surfaces aboard ship, ready with an assent and an extended
hand.
In the over-70 population at large, females outnumber males substantially.
Aboard ship this imbalance is evident, many of these women having come
here almost straight from the funerals of their husbands. The White Sharks
ease the disparity gracefully to the music of Guy Lombardo’s Royal Canadians.
And if that fading age of elegance still communicates
with us, certainly its preferred expression is dancing. Dancing takes place
everywhere in the Ritz-Carlton, in the Tropic Bar, in the smaller bars,
and in the cafes. So spirited is it, this will to dance, that one might
easily mistake it for desperation.
There is a woman on board, for example, who calls herself Dancing Annie.
She stands about four feet eight inches, dresses beautifully at all times,
and has made a quest of dancing with every man on the ship. So thoroughly
has she danced through the passenger list, that no new face escapes her
notice, nor her persistent request for a new dancing partner.
One evening I followed three young women who work in the fitness room to
the Ritz-Carlton, on a kind of good-will visit to Dancing Annie, stationed
as always on the dance floor. For more than 50 years Annie was the wife
of a popular Catskill comic, and since his passing in 1992 she has shipped
with one grand voyage after another.
We sat and watched until Annie came over, the conversation began as it
frequently did, Annie telling listeners about the bliss of her married
life now gone. The young women listened in sympathy. Then Annie produced
some photographs from her handbag, showing her husband, her husband and
her, and both of them standing before their home in New York. “I miss him,”
she said. “I don’t like to be alone.”
Home | Tres
Cheap | Hands and Feet | Entering
the Ethereal Realm
An Atlantic Crossing
| Siberian Wallpaper | Piranha
This page, and all contents of this Web site are
Copyright (c) 1997-1998
by Grand Tour
and interKnowledge Corp.
All rights reserved.
|